The Guardian’s Rachel Cooke offers an British perspective on the graphic novel market with her top picks:
- Drawn & Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics and Graphic Novels (Drawn & Quarterly)
- Killing and Dying by Andrian Tomine (Drawn & Quarterly)
- Space Dumplins by Craig Thompson (Drawn & Quarterly)
- Everything is Teeth by Evie Wyld , illus. by Joe Sumner (Pantheon)
- The Arab of the Future by Riad Sattouf (Metropolitan Books)
- The Art of Flying by Antonio Altarriba (Cape)
- Invisible Ink by Bill Griffith (Fantagraphics)
- The Inflatable Woman by Rachael Ball (Bloomsbury)
- Pablo by Julie Birmant and Clement Oubrerie (Self Made Hero)
- Red Rosa by Kate Evans (Verso)
- Hysteria by Richard Appignanesi and Oscar Zarate (Self Made Hero)
- Step Aside, Pops by Kate Beaton (Drawn and Quarterly)
- SuperMutant Magic Academy by Jillian Tamaki (Drawn and Quarterly)
- Lucia by Andy Hixon (Cape)
- The Pillbox by David Hughes (Random House UK/Cape)
- Death of the Artist by Karrie Fransman (Cape)
- Wheels of Terror: The Graphic Novel by Sven Hassel, illus. by Jordy Diago (Orion)
- Dispossession by Simon Grennan (Cape)
Salon’s Mark Peters created his own personal “best of” awards:
- Best Writer: Jason Aaron for Southern Bastards, The Goddamned, Thor, Doctor Strange, Weirdworld, and Star Wars (various publishers)
- Most Necessary Hero: Ms. Marvel (Marvel Comics)
- Best Artist: Tom Scioli for Transformers vs. G.I.Joe (IDW Publishing)
- Best Piss-take on Superheroes: All-Star Section 8 by Garth Ennis, illus. by John McCrea (DC Comics)
- Best Single Issue by a Disappointing Company: Superman #39 by Geoff Johns, illus. by John Romita Jr. and Klaus Janson (DC Comics)
- Two Marvel All-New All-Different Titles That Actually Live Up to the Billing: Karnak by Warren Ellis, illus. by Gerardo Zaffino; and The Vision by Tom King, illus. by Gabriel Hernandez Walta (Marvel Comics)
- Best Publisher: Image Comics