Seven Titles for Line-Wide Rebrand
Posted by Betsy Gomez on June 7, 2018 @ 12:21 pm CT
As part of the rebrand, DC Vertigo has announced four fall /winter titles and three titles to follow in early 2019.
Border Town from writer Eric M. Esquivel (Adventure Time, Starburns Presents) with art and covers by Ramon Villalobos (Nighthawk, America) is set to debut in September. In the series, the border town of Devil’s Fork Arizona finds itself on a different kind of border when a crack between worlds has the town beset by monsters from Mexican folklore.
A white-passing biracial man will go undercover in a violent white supremacist group in November’s American Carnage from writer Bryan Hill (Michael Cray, Titans digital show) and artist Leandro Fernandez (The Names, The Punisher Max).
Writer Zoë Quinn (Crash Override) and artist Robbi Rodriguez (Spider-Gwen) imagine an AI-popwered near future where a group of super-powered women and horrific monsters battle for the cheat codes to reality. Goddess Mode kicks off in December.
In High Level from writer Rob Sheridan (former art director for Nine Inch Nails) and artist Barnaby Bagenda (The Omega Men, Green Lanterns), a far-future, self-interested smuggler must deliver a child messiah to a mythical city at the top of the world. The series debuts in 2019.
Safe Sex, another 2019 release, is from writer Tina Horn (host/producer of Why Are People Into That? podcast) and artist Mike Dowling (Unfollow, 2000 AD). In the dystopian tale, a ragtag team of sex workers fights for freedom in a world where sex is regulated and policed by the government.
In the last 25 years, Vertigo has released some of the most influential titles in comics, including Neil Gaiman’s The Sandman (which is itself getting its own universe starting in August; see “Preview: The 'Sandman Universe' Series Artists”), Garth Ennis and Steve Dillon’s Preacher, Brian K. Vaughan and Pia Guerra’s Y: The Last Man, and many other cutting edge titles that appealed to adult audiences. The line started in 1993 under the guidance of Karen Berger until she left DC in early 2013 (see “Karen Berger Leaving Vertigo”). Shelly Bond (see “Shelly Bond Out at Vertigo”) edited the imprint until 2016, after which it was briefly guided by Jamie S. Rich before Doyle assumed the reins.
Click on the Gallery for cover images.
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